English Painter, 1782-1857 English painter and illustrator. He was apprenticed to the line-engraver Benjamin Smith (d 1833) in 1797, but his greater interest in portrait painting led him to take life classes at the Royal Academy, London; he exhibited portraits there from 1799. Versatile and industrious, he painted miniature likenesses, taught drawing, designed and engraved illustrations for books in French, Portuguese and English, and wrote for and illustrated Rudolph Ackermann's Repository. His half-a-crown watercolours, known as 'pretty faces', were particularly popular, and he found employment as an assiduous copyist. In 1809 he was elected to the Society of Painters in Water-Colours and for the next nine years exhibited careful and colourful images of the countryside that provided views of the year's harvest. In 1817 Uwins travelled to France to record the Burgundian grape harvest, identifying the labour force more obviously as peasants than their English counterparts. In debt, he moved in 1820 to Edinburgh, where he illustrated books by Walter Scott and painted portraits. In 1824, his debt paid, he left for Italy, where he spent seven years; he sent highly valued copies of Italian works back to England (to Thomas Lawrence among others) and made studies of life in and around Rome and Naples, from which his later successes at the Royal Academy derived. An immodest Protestant, Uwins deplored but revelled in the 'polluted streams' of Catholic Italy, and provided London with oils renowned for their clarity and colour. A Neapolitan Saint Manufactory (exh. RA 1832; Leicester, Mus. & A.G.) shows monks haggling, women gazing and children playing amid carved and painted icons.   Related Paintings of Thomas Uwins :. | Death of the Virgin kh | The Girl holding flower | Madame Bergeret | Portrait of Henrietta Maria Bordley at age 10 | White Realistic Rose |
Related Artists:
Francesco Rustici
Italian High Renaissance Sculptor, 1474-1554
KEYSER, Thomas de
Dutch Baroque Era Painter, ca.1596-1667 son of Hendrick de Keyser I. Following an apprenticeship with an unidentified master in painting, he trained from 1616 to 1618 with his father in architecture. Although he ultimately followed his father and two brothers, Pieter and Willem, into service for the city of Amsterdam as city mason (1662-7), no designs for buildings by Thomas are known, with the exception of an unbuilt triumphal arch published in Salomon de Bray's Architectura moderna
LIEFERINXE, Josse
French painter, Provençal school (active 1493-1508 in Marseille) South Netherlandish painter, active in France. A native of Hainaut, in the diocese of Cambrai, he may have come from Lieferinge near Enghien (Claessens). He is documented in Marseille and Aix-en-Provence from 1493 to 1505, often being described as a 'Picard painter'. In 1503 he married Michelle, one of the daughters of Jean Changenet, the most prominent painter of the time in Avignon, with whom he may have trained. The last great representative of the 'School of Avignon',